Author Archives: Darienne Arahan

About Darienne Arahan

Hello! My name's Darienne and I'm an aspiring journalist from New Jersey. :)

Kitty Karaoke of Umamiya

The channelAPA.com exclusive interviews with members of Umamiya continues. Previously, we’ve profiled members Cathedral Leung, Winnie Wu, and Kim Min Jung.

Kitty KaraokeKitty Karaoke of Umamiya

On her past:

Born to a famous Japanese beauty queen in Hawaii, Kitty Karaoke was raised to follow in her mother’s walk down the catwalk. Unfortunately, it was easily determined that being a National beauty pageant winner was not for Kitty. She defended her country and regional wins eagerly: “Some say that being Miss Hawaiian Forest and Trail is not a big deal. However, I say that wearing a bikini made out of foliage is no easy task!” Kitty, while fluent in Japanese, considers herself more American than Asian.

Kitty found her knack for singing during a ho’ike (showcase) back home in Hawaii when she was six. “I turned the wrong way to exit the stage. By the time I realized all the other girls had exited, I was left onstage alone. Everyone was laughing because I was so cute, so I started singing by myself….It was then that I knew that I would be a star.” Though she hadn’t won any awards, when posed with the question of what she would tell her past tell self, Kitty said she’d tell them to keep their head up high.

On Umamiya:

On the other girls themselves, Kitty tries to be fair as a leader. Revealing that Winnie “WWII” Wu is really a sweetheart under her hardcore exterior, Kitty explains: “I think she has abandonment issues and they come out in her rap lyrics.” Kim Min Jung is the most homesick out of all the girls. Kitty sometimes volunteers to take her to the local Sanrio store for stickers, making Min Jung really happy. The same way that Ming Jung previously called Cathedral Leung out in her interview, Kitty called fellow member Mari.kris.am.i on her diva-esque attitude. “I think she thinks she is better than everyone. I think she had a recording contract with another record company, but she doesn’t talk about it.” Kitty even brings up about how Mari.kris.am.i may have possibly been replaced in her old girl group. To Kitty, Cathedral is the maternal figure of the group. “She keeps asking everyone, ‘Have you eaten yet?’ Most people say, ‘Hello’. She just keeps asking people if they’ve eaten yet.” Even though Kitty doesn’t get along with everyone, she explains that one of the most unforgettable moments with the group was a bonding session. Last week, the group feasted on pork rinds and shared at least one secret each. “I can’t tell you about the secrets, but I can tell you that everyone has some good ones.”

Despite the clash of personalities, Kitty sees the group buying a house or a mansion to live in together within 5 years. “I mean, S-Cube provides us housing, but we have to move every 2-3 weeks; something about saving costs and short-term sub-leases.” But Kitty is not complaining about the constant transfers. “As long as Young Bum keeps moving all my luggage for me, I’m okay with it.” She also wants the girl group to be given some form of transportation that does not involve taking the bus anymore.

Though she didn’t write any of the group’s songs, Kitty emphasizes that she sings really well. When S-Cube called her after her audition, she honestly thought she was auditioning for a pageant. “But, then I found out it was a singing group. I am so proud to be the leader of the group!” Her favorite thing about the group is to be able to look at herself in the mirror during rehearsals. You can get an even better glimpse at her vanity through her answer about her best contribution to the group: “Like I said, they are pretty obvious. Just look at me!”

When asked for a message for aspiring performers, Kitty had a lot to say: “Just believe in yourself. People may tell you that you’re fat, too old, or will never be as pretty as she was in the 1980’s. They may say you’re not good enough because you slouch when you walk, or can’t twirl a baton in a competition. They may even say that you were a mistake and you ruined their modeling career because they got pregnant with you. But, don’t listen to them. They are just unhappy because now they work as a checker at Wal-Mart.” (Bitter? I think so.)

On her interest in music:

Thanks to her grandfather, Kitty’s interest in music started at a young age. “When I was a keiki (little girl), my father used to play slack key guitar for us every chance he could.” In fact, her grandparents had a very big hand in helping her find her niche in the music world. “My grandmother once told me that you can play music on just about anything – furniture, shells, rocks. It is the rhythm that matters the most. I don’t know how she did it, but she used to play her teeth when nobody was looking.” Her inspirations consist of Israel Kamakawiwoole, Martin Pahinui, the Backstreet Boys, NSYNC*, SMAP and Arashi. “I guess like any other local kid, I listened to a good mix of artists.”

Working as a waitress in one of Los Angeles’ karaoke bars, Kitty practices her singing with the bar’s karaoke system. Because of this, the greatest filmmaking Kitty has ever seen seems to be the Karaoke videos she watches. “The girls are so beautiful and the men are like handsome princes. Everyone looks so cool and they end up running to fancy places.” Her all-time favorite selection is #5778. She also raves about her karaoke bar and its benefits: “. Where else can you order edamame, dumplings AND drinks?” She chooses to sing anything by Irving Berlin, explaining that it’s so patriotic.

Other facts about Kitty:

If music wasn’t her calling, Kitty could see herself cheerleading. “I don’t know what team I would cheer for. I don’t know very much about sports, but I’m a good dancer and I know fashion. Plus, I get along really well with other women. Most don’t like me because I use my sexuality, but I don’t hate on other women.” She hopes to star in movies, television shows, internet videos, or maybe even host a beauty pageant within 5 years.

Kim Min Jung of Umamiya

Kim Min Jung of Umamiya

The channelAPA.com exclusive with Umamiya continues. We’ve been profiling each member of the female group including Cathedral Leung and Winnie Wu. This time it’s Kim Min Jung’s turn.

A LITTLE BIT ABOUT KIM MIN JUNG’S BACKGROUND:

Kim Min Jung was born in Seoul, South Korea on June 27, 1986. Priding herself that she was able to sing before she could talk, Min Jung won her church’s talent show at the age of 5. Kim talked about how there wasn’t really an event that “sparked” her love of music: “I have lot of fire and passion and they’re so bright.  I’m always smiling and singing.  The fire was inside me when I was born and continues to right now.”

She was discovered at the age of seven in a shopping mall in Seoul by talent scouts from the JYP Entertainment Academy. Min Jung explained how working with the JYP Entertainment Academy was very difficult compared to her other friends, “I have many, many friends at my regular school, and when everyone’s studying, I have to do many hours of dancing, singing, and training.  So they’re all studying together and I have to do alone time because at same time, I am doing other things.” Along with working hard, the people Min Jung encountered were hard to work with as well. She talked about how the girls were not all nice: “They were snobs to me. Everyone’s thinking they are number one, so it was a very hard time.” During her 10 years of training, Min Jung took more than three times the average length of time in the Academy developing her singing, dancing, and acting skills. Min Jung, 24, takes it as a positive thing by explaining that so many girls were graduating without a great deal of training, leading to a lack of experience. “I am very lucky because I was training ten year.  So I have a lot of experience training.” As a result to the ten-year training, her status was placed on “indefinite hold” at the Academy.

Min Jung’s parents repeatedly compared her to her younger prodigious brother, whose guitar playing skills made him an internet sensation. Never feeling quite good enough in her parents’ eyes, Min Jung chose to move to the United States to become a leader in S-Cube’s new girl group. Despite the fact that S-Cube was nearly bankrupt in Korea, she was later discovered by S-Cube in a local Noraebang.  Min Jung is the self-proclaimed “diva” and leader of Umamiya. Compared to the JYP Academy, Min Jung likes S-Cube more because, “he can see my talent in singing and dancing.” Though she does have to practice more than she did in the Academy, Kim knows it’s necessary if she’s supposed to be the leader.

If Kim had to ability to go back in time, she would choose to tell her younger self to believe in herself and have more confidence: “Before, I didn’t know I am special, I kept thinking maybe other people Kim Min Jung ©S-Cube Entertainment  can do it better. But now I have training, and I know I am more special than I thought before.”

ON UMAMIYA:

When it comes to the other girls, Min Jung says they “look too old to be 26.” To her, Kitty Karaoke is very energetic and friendly. She’s sometimes too nice and too loud: “Sometimes, I want her to be quiet, but she cannot do it.  She is always singing.” Min Jung shares her thought that they might have used AutoTune on Kitty as well.  Mari.kris.am.i is the domineering one out of the group. Kim tells the story about how Mari.kris wanted a cigarette: “I have to get the cigarette for her.  Sometimes she does not have a lighter and I have to go out and looking for match for her.  Very bossy.” She went on to tell about how Winnie “WWII” Wu isn’t a real gangster: “She looks like baby when she smiling.  How can baby be a gangster?” To Min Jung, Winnie is all talk and no walk. Min Jung called Cathedral Leung out the most in the group even going as far as asking why she is even in the group. She stated that everyone in the group had something about them to get in the group, but “Cathedral has nothing.” When asked what the funniest thing about Umamiya was, Min Jung once again called Leung out by stating, “Cathedral trying to be a pop star.”

Min Jung told me that she helped write the group’s Hot Sour Spicy Sweet—well, almost. She actually helped the English speaking people write the song. For her, Umamiya will be touring within a year across USA and Asia. Within five years, she sees herself owning a business with Umamiya’s name on it and her picture. A memorable moment she has is when she let the fans words really get to her.
“I hear many fan loving us, but maybe we are not too skinny.” So Min Jung stopped eating and just trained. That is, until she passed out from exhaustion. This also connects to the hardest thing about being a member of the all girl group. “Sang Song Sung very serious and very strict.” The group’s manager had even yelled at her for fainting in the first place.

As for what Min Jung thinks she contributes to the group she proudly explains how she is the only one who can do everything: “I am the only member that can do everything for the pop group.  I can sing and dance with high energy and rap.” Apparently, to her, nobody else can do everything like her. It’s not easy, either. When faced with the question of what she would tell a fan wanting to break into the music like her, Min Jung tells how she should follow the same path as her. “You have to be…maybe 10 years before you can do it.  It’s very hard to do.”

OTHER FACTS:

“You have to bring a good smile when you’re singing for people.  Be very bright and shining for the people clapping and have lot of a grace.” That’s what Kim tells me when I asked how what the best advice she has ever gotten was. This could easily be seen in the pictures she has and her videos online. Her inspirations consist of S.E.S. and Mariah Carey. Along with the piano, Min Jung plays the tambourine, keyboard, and oddly enough – the triangle. When at the karaoke bar, Kim likes to sing R&B. She loves rapping to “Ta In” by the Young Turks Club. Alicia Keys is on the top of her list of Hopeful Collaborations. She’d love to play piano with her and harmonize together.

Along with being able to sing and dance, Kim can draw and do art. If she isn’t singing, you can probably find her playing with a friend at a café. In 5 years, she hopes to enter the world of fashion making shoes and a bag.


Bo Belza of FR3SH Dance Troupe and UFP

Bo BelzaFr3sh gained national recognition when six of its members auditioned and got onto America’s Best Dance Crew. The New Jersey team was voted off within the first week, but since then the entire Fr3sh Dance Troupe (Fr3sh, Fr3sh Juniors, Fr3sh Freestyle) had been performing non-stop. Though Fr3sh has ended due to personal reasons, the team members are still performing whenever possible. One member, Bo Belza, spent some time to let me interview him about his performing, teaching, and dancing life.

On Bo’s background:

Debohnee “Bo” Adam Belza, 22, currently lives in Union, NJ and is a student at Kean for graphic design. Growing up, Bo watched a lot of Michael and Janet Jackson, NSYNC, Britney Spears, and Usher. He hoped to become like these famous dancers, or at least like their back up dancers. He claims that his dance past doesn’t consist of much; he grew up loving to dance, “When I was little I was always the one who wanted to learn all the line dances, and dance with the Titas. And during the teenager parties, I liked dancing to reggae and being able to shake my hips.  It wasn’t a big thing…it was just…something cool that I liked to do.”

In fact, it wasn’t until high school that Belza knew he wanted to dance. He along with his friends decided to form their own team for their high school talent show consisting of only hip hop choreography. During this time period, Bo became friends with Bryan East (East later became an ABDC alum as well with Boogie Bots.) East then told Belza about auditioning for Fr3sh.  After high school, he sought out Fr3sh, auditioned, and became a trainee. Since then, he’s been able to dance with a select few for New York’s Carnival Choreographer’s Ball and worked his way up as director and Co-Artistic Assistant Director of FR3SH Juniors. Bo also teaches at the American Ballet Academy.

Belza’s family has been with him every step of the way, “spending crazy amounts of money on my trips, on my outfits, on gas, on tuition- anything and everything.” While his mom is an avid supporter, his dad has a lot of doubt about a career in dancing. Despite this, both parents, Bo’s older brother, and even his cousins try to go to all of his performances.

On FR3SH and FR3SH Juniors

From the lack of studio space to strenuous hours, FR3SH was faced with a lot of hardships. The hardest thing for Bo was, “being able to keep up with everyone else….meeting the expectations of my directors.” Regardless of the struggles, FR3SH still made it through together: “The chemistry that we all had as a whole was amazing.” And that statement is proven in the many functions that the LLC has spent together – Camp FR3SH, FR3SH dinners, holiday parties, rehearsals for FR3SH’s annual Main Event, and e-board meetings. “There’s a reason why there’s a three in FR3SH,” he tells me, “and one of them stands for family.”

It was not only FR3SH that Bo had his ups and downs with either. He struggled to maintain a consistent schedule for the FR3SH Juniors, causing the directors to come up with sets in a short amount of time. But the ability to teach, to direct, and to be able to watch these kids grow up into mature adults and become better dancers is what made the stress all worth it. Another perk of running Juniors is that he ran the team with his best friend, Katrina Badiola: “Without her, this experience wouldn’t have been fun.” Belza explains that his role as Co-Artistic Assistant Director was to inspire, to teach, and to lead.  When asked if there were any potential big stars within the group of young teenagers, Bo responded enthusiastically: Jason Lai (Mooks), Christian Dugenio (Mooks), Katrina Endozo (Miracle Project), Joseph Ancheta (Mooks, Project D), Lloyd Gerald Ortuoste (Fr3sh Jrs. Alum, Mooks), Megan Guirnela (Miracle Project), Jarryl Tan, and Luis “Bong” Buno (Fr3sh Jrs. Alum, Mooks, FR3SH). He went on to say that everyone on the team has potential, but all in due time.

His job as a teacher at ABA has also helped him when directing FR3SH Juniors. He states that he learned to not be so critical when it comes to teaching younger children. He’s learned how to deal with a group of kids that weren’t at the same level with each other when it came to dancing: “It was hard at first, because you’d have to cater to the kids who are more advanced than others.” He made sure to bring the positive environment of the dance lessons to directing Junior practices.

On his choreography

People say you can know the dancer through their dance. When asked who is Bo Belza based off of his choreography, Bo replied, “Bo Belza, is a very sexual, emotional, sassy, fierce, and innovative dancer.” This could also be seen in his list of dream collaborations ranging from choreographers like Phillip Geniza, Mia Michaels, Marty Kudelka, Sean Everisto, Sh*t Kingz, Ian Eastwood, and Mariel Martin to performers like Janet Jackson, Lady Gaga, Justin Timberlake, Britney Spears, and Usher.

Gaining emotional and visual inspiration from anything, Bo can just be driving in the car and the certain way a song’s beat is dropped causes a whole collection of ideas to run through his mind. He tells me that one thing every choreographer should have is the capability of being true to oneself. “Do what YOUR body is telling you to do and what your heart is telling you to do. A lot of choreographer’s nowadays tried to do cool things with their pieces, but if it’s coming from your soul and you’re making it your own, than you’ll be known for that alone.” Also, Bo expects his dancers to meet his choreography’s standards. If he were to make a dance based off of the dancers, “it wouldn’t be really coming from my own inspirations.” The best advice that he was ever given was to always stay on his toes, “because there’s always someone who is always going to be younger and much more talented than you.” In 5 years, Bo hopes his technique and style has grown and that his dancing level has increased immensely. He also hopes to be able to audition for So You Think You Can Dance or an agency.

His message to anyone wanting to become a dancer is: “Don’t give up. It’s a hard profession to get into. Even if you’re doing it for fun, don’t give up. Keep pushing to your limits.  There will be times where you want to just give up and forget it, but if it’s in your heart, if it’s what you’re fighting for, then keep going for it. No one’s going to stop you but yourself. You could be ridiculed and badgered, but it feeds more fuel to the fire and gives you more of a reason to keep pushing. Take as many classes as you can possibly take.  Leave your ego at the door. Stay humble.”

Though he is major in graphic design, Bo isn’t against the idea of having a career in dancing. Backup dancing, to him, would be amazing. If he’s not dancing, Belza can be seen hanging out with friends, going to school, doing homework, and staying in dancing shape. He can also sing, draw, and play both piano and guitar. He also prides that he can crack his pinky at will.

On FR3SH Dance Troupe and UFP:

Now that Fr3sh is over, Bo and a few members are directing a new dance group called UFP with his peers. He’s hoping that UFP will be an amazing and wonderful experience, and an impact in the dance community. Directing alongside him is his best friend again, Katrina Badiola, along with Cindy Ho (Fr3sh ABDC), Cristi Dash, Daniel Duma (Fr3sh ABDC), Leslie Hubilla (Fr3sh ABDC), and Samantha Guirnela. The group will be run by Kim Tam of Arts in Motion Dance Academy. Bo is hoping for a fresh start with new and familiar faces.

Video: Bo Belza teaching Junior Private Intensive and FR3SH Company Practice

Winnie Wu of Umamiya

Winnie Wu of Umamiya Revealed

© S-Cube EntertainmentBorn in Taiwan, Winnie “WWII” Wu makes up the Taiwanese percentage of the Pan-Asian girl group Umamiya. Winnie Wu moved to an affluent neighborhood in California when she was only six years old, only living with her siblings, Wendy “WWI” Wu and Wendell “WWIII” Wu. Winnie graciously absorbed the urban hip hop culture as a form of rebellion. Though they only see each other once a year, Winnie is thankful for the bountiful allowance given from her parents every month. A downside to a life of such comfort is the expectations from her parents to be an obedient and well-respected daughter. To explain the pressure Winnie is under, she turns to rap lyrics and minor crimes. WWII can usually be found bragging about a developing record deal in Taiwan and will probably leave the States once the deal is finalized. In truth, there is no such record deal. If that wasn’t ironic enough, Winnie has never actually seen a real gangsta. She chooses to not leave her well-off neighborhood for fear of “getting shot.” She tends to just hang out at the local Boba shop.

On Music:

On when she first got interested in singing, she explained that she started at a young age. “Some people may have called it just talking or an annoyance or mayhem, but I considered it self-expression.” She lives by the most excellent advice given to her which is, “Listen to what moves you. Everything else is peripheral.” Winnie is also currently doing some “crazy stuff” with a Casio keyboard and auto tune. When asked about what song she would sing at a karaoke, she instantly replied, “Let’s not even go there,” which left me to wonder what song this rapper would choose when put into that situation. Winnie would love to work with Kanye West some day. She explained that she could definitely see a collaboration happening, but “that’s if he could keep up!”

When it comes to Umamiya, Winnie had a pretty big part in the songs. Winnie raps on the tracks and was also instrumental in the lyrics. Winnie expects Umamiya to make a big breakthrough in the music business within a year and recreating the music world within five. If someone was to ask Winnie to describe Umamiya, she would only have five words: “Titillating Audio and Visual Pleasure.” She wasn’t surprised when she was chosen to be a part of the group, “It was natural, and to be expected.” Winnie considers her deep and unabridged knowledge of hip hop and rap along with her deep love of urban culture is very important to Umamiya’s character.

Also see our interview with other Umamiya members: Cathedral Leung


Cathedral Leung of Umamiya

Property of S-Cube Entertainment

Cathedral Leung, born in San Francisco, California, is the daughter of a Chinatown minister. She once saw her older brother singing and she decided she wanted to do it, too. Ironically enough, her brother would tell that she was the worst singer ever. Leung worked to prove him wrong. Her first song in front of the congregation at her church was “This Little Light of Mine” and when everyone was clapping, she could have sworn people were chanting her name. That was the event that brought Cathedral into the idea of making a career out of singing.

At the age of 16, Leung was discovered at a Chinese Karaoke contest by a leading Chinese record company. She was flown to Hong Kong, but was sent back to her hometown because she lacked sufficient talent and refused to learn Mandarin Chinese (She only speaks Cantonese.) When I asked her what she would say to herself from 10 years ago, she replied, “Cathedral, stop beating yourself up for not being a successful recording artist in Hong Kong.  You will spend many years waiting for them to call, but they won’t call. Instead, become an actress or a policewoman.” In 2005, Cathedral moved to Los Angeles to be closer to the music industry. In the City of Angels, Leung currently works as a Universal Studios Tour Guide and she feels she is closer to the whole entertainment industry. Cathedral, 24, is still waiting for a call from her record company in Hong Kong. Last year, she attended an audition for “S-Cube Entertainment” and was accepted into the girl group, “Umamiya.”

On Umamiya:

“Asian Pop with Urban Flava.” That’s how Cathedral describes the Pan-Asian R&B/Pop group of girls known as Umamiya. When she was signed to Umamiya, she felt it was a natural choice, “because I have been a recording artist in Hong Kong for two days.” She jokes that a big help was the fact that she stood behind the title-character in Annie at her community theatre when she was sixteen. Though she did not write any of Umamiya’s songs, her most memorable memory with the group was rehearsing for the music video of “Hot Sour Spicy and Sweet.” She considers herself a team player and on the set she helped the other girls who weren’t picking up on the dancing as well to help them understand. The most fun thing about being in Umamiya is the ability to be creative. Despite the group not getting paid for their work, their manager, S-Cube, always gives them encouragement. The group understands that they all suffer together. Contrary to popular belief, the hardest part for Cathedral is being the favorite of the group. When S-Cube gives her more attention than the other members of the group, Leung can’t help but feel guilty. But she persists through everything because, “I grew up very religious and I know that God will not give me more than I can handle. If it is my calling to be S-Cube’s favorite, while the other gals are jealous, I must endure it.” She thinks her best feature that she has contributed to Umamiya is her legs. When I asked her about the future of Umamiya, the San Fran-native said she sees the group traveling all over the world. She hopes the group receives corporate sponsors like Kikkoman, House Tofu, Mama Sita or Nong Shim Corp. by next year. She would like the group to be on Music Bank or Mnet Countdown. In five years, she would like the group to be doing television shows and movies.

On the other girls:

When asked to describe each girl, Cathedral starts off by saying she likes them all. If she was to get an injury, she believes Kim Min Jung would be next in line as leader. Cathedral tells of a funny story of how Min Jung’s dislike for American food. “Once, we took her to ‘Hotdog on a Stick’ in the shopping mall and we watched her throw up all over herself. She will get used to it.” Kitty Karaoke, according to Leung, uses her sexuality too much. To Cathedral, Mari.kris.am.I is the best singer in the group. Though she was signed to another record label, “she doesn’t talk much about it.” Winnie Wu, the group’s rapper, sometimes comes off as very tough. Leung tries not to get in her way because it’s been said that she used to fight in mixed martial arts (MMA) before becoming a musician.

On her interest in music:

Cathedral has always enjoyed the art of music, saying that it is an expression of the soul. In second grade, she learned to play the Recorder, “just like every other Asian kid.” As far as inspirations go, Leung gets her motivation from nature and Grammy winner Al Jarreau. She also listens to laughter and that gives her the strength to go on. The best advice she was given wad that, “music is a gift you give others. Don’t be afraid to give, even when people won’t listen. You must make them listen.” Her turn-to song when at a karaoke would have to be Judy Garland’s signature song, “Somewhere over the Rainbow.” Her reasoning is that it’s a beautiful song and once she hits that high belt, “I sound really good!” When I asked about anyone she would like to work with in the future, she replied with a whole array of artists: Lee Hom Wang, Jay Chou, Farenheit, Los Angeles’ Band “Seriously”, Brian Joo, Hwanhee, Justin Chon, Chamillionaire, Daniel Wu, Terence Yin, Andrew Lin, and Conroy Chan (“Alive”).  When it came to fans that who want to try and break into the music world, Cathedral gave this advice: “Try not to listen to too many other types of music. You will just confuse yourself. If you sing like a punk rocker, just listen to punk rock. If you like urban music, just listen to Al Jarreau. If you like Asia Pop, just listen to anything from Asia. Every day, I meet people in Hollywood who try to be “eclectic” and listen to tribal music. Why? Are you going to throw a luau and entertain your guests? Or, are you going to be a serious recording artist?”

Other random facts:

Cathedral jokes that her non-musical talents include the ability to stare without blinking for a long time and the ability to turn in really slow motion. She also goes on to tell that if she was not a singer, she would continue her work as a Universal Studios Tour Guide. “I know a lot of television and movie trivia,” she quips. In 5 years, Cathedral sees herself hosting either an entertainment or music television show. She would also like to start a shelter for cats.

The Wheeler Boys directed by Philip G. Flores

The Wheeler Boys directed by Philip G. Flores

Netflix Inc. and Film Independent (FIND)’s “FIND Your Voice” Competition winner, Filipino Philip G. Flores’ movie, “The Wheeler Boys” will debut on June 25th. The movie will be open to the general public at Netflix where they can watch it for instantly and for free and will also premiere at the 2010 Los Angeles Film Festival, presented by the Los Angeles Times.

The film can be viewed from Netflix by members and non-members alike for 48 hours beginning at 8:00 P.M. PST on Friday, June 25 to 8:00 P.M. PST on Sunday, June 27 by clicking here. (Netflix members with unlimited plans will also be able to instantly watch the movie right on their TVs via a range of popular consumer electronics devices capable of streaming from Netflix.)

“The Wheeler Boys” is a heart-wrenching tale of a high school freshman named Ted (Lorenzo James Henrie), but called Bug, who sets out on journey to both find and lose himself in his hero worship for his brother. Bright but awkward, Ted lives with his paralyzed, abusive father Ron (Billy Campbell) and his older brother Truck (Alex Frost) who also stands in as Ted’s main provider. Because of his adoration for Truck, Ted jumps at the opportunity to be initiated into Truck’s circle of friends, the Kings, who are high school royalty.

The Kings set up a contest of sexual contest, the winner being the one who slept with the most freshmen girls. Wanting to be accepted, but is uncertain about the whole thing, Ted grudgingly joins. The group assigns Ted various challenges ranging from getting freshman girls to attending out of control parties to even keeping silent when witnessing an actual throw-down. With every challenge given and passed, Ted’s coolness and swagger swell. Things take a turn when a certain classmate on the growing scoreboard of conquests is Ted’s first love. Ted’s idolization for Truck is put to the test along with his adherence to his morals, making him realize the true nature of the Kings. The two brothers are left to meet each other and what they have become head on after the corruption caused by the Kings and Truck is revealed. The movie’s cast is comprised of stars Alex Frost, Lorenzo James Henrie, Portia Doubleday, Haley Ramm, Alex Russell, and Billy Campbell.

The Wheeler Boys trailer

More about Philip G. Flores

A USC Film School graduate, Mr. Flores, 28, is also a first-time filmmaker. He both co-wrote with Max Doty and directed “The Wheeler Boys” which spanned four years from commencement to completion and opened many doors to various opportunities. “The Wheeler Boys” was produced by Chase B. Kenney and executive produced by Pepito L. Flores, Antonio Kaw, and Tony Carlucci.

The “Netflix FIND Your Voice” competition received more than 2,000 applications and scripts from hopeful filmmakers following its initial announcement in January 2009. FIND chose 10 semifinalists, who were given the assignment to submit a two-to-three-minute video short summarizing their possible projects. One requirement was for the applicants to be first-time filmmakers who had not yet created and publicly screened a full-length, narrative feature film of at least 70 minutes. The public voted on the competition’s website and the six films with the highest number of votes were selected to go to the final round. Flores was selected by a judging panel of accomplished filmmakers and entertainment industry veterans, including Josh Brolin, John Sayles, Dustin Lance Black, Bruce Cohen, Dan Jinks, and Stephanie Allain.

As the winner of the competition, Flores received a prize package to produce “The Wheeler Boys”. Valued at more than $350,000, the prize included a $150,000 cash production grant funded by Netflix, a camera package donated by Panavision, Kodak Color Negative Film courtesy of Kodak, dailies and release prints given by Deluxe Entertainment Services Group, and a digital intermediate package provided by EFILM, a division of Deluxe. The movie’s script, after Flores won the contest, was developed under the guidance of Meg LaFauve, and later, under the guidance of Naomi Despres, went through Film Independent’s Producers Lab.